Official press release:
Recording their first record when two-thirds of the bandmembers were still in high school and breaking up when most were barely twenty-one-years old, it’s a wonder that the infamous Detroit outfit Thoughts Of Ionesco even lasted the few years that they did. Confrontational to audiences, uninterested in record labels, exceedingly dark and heavy, the band played music that was once referred to by Alternative Press magazine as, “the ultimate realization of pain through sound.” Forged in 1996, the hardcore, art-damaged soul of Thoughts Of Ionesco materialized around vocalist/guitarist Sean Hoen, bassist Nathan Miller, and drummer Brian Repa; the band also included a sax player by the end of its career. Repa left and returned several times during the band’s existence, and Derek Grant (ex-Suicide Machines, Alkaline Trio) served as his replacement for a stretch from 1997-1998.
The trio, whose collective mental stability was often called into question by even those close to them, was most often compared to My War-era Black Flag, mixing hatred and aggression with super-heavy riffs, free jazz exploration, a brutal live show, and hefty doses of nihilism, self-loathing, and pure masochistic rage to produce a sound wholly challenging and frequently misunderstood. Thoughts Of Ionesco were in a class of their own; their performances were notoriously destructive — instruments were smashed in minutes, walls were kicked in, blood was shed, bottles were thrown — as the bandmembers showed absolutely no regard for themselves or the “fans” they couldn’t be bothered to care about. For them, only the music mattered. They toured the country and Canada a few times over, most notably with their friends in Wallside, but due to the inaccessibility of their records, they remained obscure (though rather revered) upon their eventual implosion in 1999. Thoughts Of Ionesco played their last show that November in Ann Arbor, Michigan
Several years later, the guys reappeared on the Detroit music scene with new bands: Hoen in The Holy Fire and Leaving Rouge, Miller in The Holy Fire, and Repa With Paradise. Seventh Rule eventually collected the band’s recorded output — including releases on Makoto (1996’s The Triptych Session, 1997’s …And Then There Was Motion, and 1998’s A Skin Historic, which Spin Magazine called, “an art-core mindfuck”) and At Arms Mechanic (1999’s For Detroit, From Addiction, released 2001) — into the compilation The Scar Is Our Watermark. Issued in June 2006, the album also included a bonus in-depth documentary DVD that chronicled the band’s brief, volatile career with live footage and interviews.
And now, Thoughts Of Ionesco returns with their first new recorded material in nearly two decades. Titled Skar Cymbals, the four-track EP was captured and mixed by Jeremy Mendicino with Dave DeCristo at Signal Kitchen in Burlington, Vermont in March 2017 with additional tracking by Gabe Doman at Pharmhouse Studio in Dearborn, Michigan, the whole acerbic package mastered by James Plotkin (OLD, Scorn, Khanate, Khlyst et al).
Skar Cymbals will be unleashed via Corpse Flower Records on June 23rd on limited color vinyl and digitally. For pre orders visit the Corpse Flower Bandcamp and sample second track, “Culture Of The Eternal Snake” below:
Skar Cymbals track listing:
1. “The Alt. Light”
2. “Culture Of The Eternal Snake”
4. “Scar Symbols”
Thoughts Of Ionesco will play a special record release show on June 24th with additional live abrasions to be announced in the coming weeks.
6/24 – Detroit, MI | The Magic Stick